Solitude, solace, consolation
sun in its onlyness
are some of the motifs that play through Andrew Johnstons marvellous new collection, illuminating with humour and curiosity the ways we link language, loss, history and memory. At the heart of Sol are two major poems. Les Baillessats is a relaxed, sun-filled poem to his newborn son. The Sunflower, an elegy for his father, is a technically dazzling double sestina, and a grave extended meditation on death, family and religious faith and was recently published in The Listener.
One young bloom in a vase or jar, breath-
takingly yellow. And her
hands, in the morning light, the way
they arrange and rearrange. Death
brings lilies, but someone has sent a sunflower:
this is our penance, staring at the sun,
its blind eye, its ragged halo.
from 'The Sunflower'
Praise for Sol
...Sol, humanly enriched by a twofold sense of mortality (the death of his father and the birth of a son are behind fine poems here), is [Johnston's] most substantial collection to date.
Michael Hulse NEW ZEALAND BOOKS
A witty, playful and moving collection. ...'The Sunflower' is probably one of the best poems I've read for many years. Highly recommended.
Harry Ricketts SPEAKING VOLUMES
The French-based Kiwi editor of The Page returns with an accomplished collection of poems, with the achingly wonderful elegy 'The Sunflower' as its centrepiece.
Johnston is a meticulous craftsman and a serious student of poetic form.
Lindsay Rabbitt THE LISTENER
Andrew Johnston is the author of Birds of Europe (2000), The Open Window (1999), The Sounds (1996) and How to Talk (1993), which won the 1994 New Zealand Book Award for Poetry and the 1994 Jessie Mackay Best First Book Award. Since 1997 he has lived in France, where he works as an editor for the International Herald Tribune. He also edits The Page , an online digest of some of the Webs best poems and essays, and is the 2007 J.D. Stout Fellow at Victoria University, where he is writing a book about contemporary New Zealand poetry.